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by Mary Rose O'Reilley

    Monet confided to his journal, "All the while she was dying, I could not stop painting her face."

    —Monet at Vétheuil

    He will paint her again as grain;

    now she is fog

    the chantilly fog of the Seine:

    avoiding no hint of the slow dissolve,

    the bandage around her jaw,

    rigor's cramp at the lip,

    how death abraded and hollowed her,

    while he remembered light.

    Had he a failed heart

    or a wholly transfigured eye

    that knew her tonight as water

    convulsion and sky?

    that stared through layers of the body

    at more than it took to die?

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